![]() ![]() Suddenly, there was a focal point to rally around. (He was also the one who suggested that they construct the narrative as a series of shorts, “so the style should vary every five minutes or so, to keep the interest going.”) The story goes that the group was having trouble deciding on a direction when Sir George Martin gathered them together in 1967 and played them the Beatles’ unreleased new album: Sgt. (Liverpudlian poet Roger McGough would be brought on later to scouse things up his lack of proper credit for giving the film a regional sense of cheekiness is still a point of contention.) It was Jenkins who suggested adding Heinz Edelmann, a Czech-German graphic artist best known for his work on the magazine Twen and who’d be the person most associated with the movie’s fluid, lysergic look. So Brodax began gathering together a team of creative collaborators, including Canadian animator George Dunning, visual effects director Charles Jenkins, The Beatles cartoon vets Jack Stokes and Mike Stuart and several screenwriters, including Latin professor and future Love Story novelist Erich Segal. It’s still a hell of a lot weirder than you remember it being. screens in a new restored version right now.) It doesn’t matter whether it’s been decades or merely days since you’ve seen it last. Meet the Beatles (sort of) that star in Yellow Submarine, the psychedelic caricatures that graced the 1968 animated feature which, 50 years ago today, made it’s premiere on U.K. Specifically, between themselves and detonating clowns, apple-bonking henchmen, a giant killer glove and your run-of-the-mill Blue Meanies. No, these Fab Four are currently locked in a battle between good and evil. And they aren’t bickering in a studio or playing the single most bittersweet rooftop gig ever – that’s still in the near-future. Nor are they charming Ed Sullivan and the American press corps, or comically falling down together in the snow while locked arm in arm, or walking to the armored car that will take them out of Candlestick Park after their last public performance – we’re way past all of that now. They aren’t sprinting through a narrow street, laughing and tumbling over one another as they’re trailed by what appear to be hundreds of rabid teenyboppers. ![]()
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